1986
Combining Documentary, Black Comedy and Musical genres, this genuine film, done in collaboration with the Women and the Law collective, shows some of the ways in which, during history, states have designed their systems to promote women's economic dependency towards men.
2022
A fictionalised documentary that tells the story of María Lejárraga, writer and pioneer of feminism in Spain during the 1920s, whose work was produced under the name of her husband, the theatre impresario Gergorio Marinez Sierra. Lejárraga was the most prolific Spanish female playwright of all time. She is the author of works such as "Cancion de cuna", as well as a member of parliament for the Second Republic and founder of pioneering projects for women's rights and freedoms.
2023
Women’s voices rise to deliver testimonies of victims of sexual violence. By reconstructing a story with these fragments of experience, a societal portrait is painted throughout the documentary. Like a mosaic, the pieces stick together to build a unique story that could belong to any human.
2025
Anna Osborn and Sonia Rockhouse were forever changed when the Pike River Mine Disaster stole their loved ones, but instead of sitting down, they stood up! But They Did tells Anna and Sonia's story, following them through the period of time before and during the re-entry of the mine.
The last day of Patrizia Cavalli’s home. Before it’s all gone.
1976
Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.
2012
Music as a counter-project to a bourgeois existence: Musicians, club and label operators, record store owners and other music lovers talk about how, despite social and economic constraints, they realize their very different, bohemian and sometimes precarious life projects on the sidelines - and always go on. Detailed essays, experience reports, portraits and interviews are dedicated to the alternative music and club scene in Berlin and Hamburg.
Elly, a former artist, and Dej', a troubled musician, find themselves locked in a fragile and tense dynamic as they navigate, or rather fail to navigate, the weight of Dej's addiction. On a cold night in the studio, the band find themselves in a familiar, but ever so painful, situation. Dej's constant intoxication and Elly's ongoing denial push bandmates to leave, cause songs to be abruptly cut short by drunken mishaps, and lead to empty promises being tossed around amid incomprehensible antics. Elly must decide whether taking a step forward, no matter who she might leave behind or how difficult that might actually be, is the right thing to do - if there even is, or ever has been, a 'right' thing to do for her. The internal struggle unfurls as Elly's night becomes one that could either mark a new beginning, or bring everything to an end.
