2022
A movie about complicated parent-child relationships during the Coronavirus pandemic.
2023
Upon learning that Victoria's sister Lana is infected with a deadly case of COVID-19, Victoria promises Lana she will do everything she can to save her.
2024
Amidst the pandemic, a woman embarks on a treacherous journey through the wilderness to reach her brother while grappling with her mental state.
New York City. March - April 2020. At the beginning of the COVID-19 pandemic, two men, both named Walter Stoyanov, watch their lives getting turned upside down, as one of them falls ill and the other one is being investigated by FBI Special Agent John McCallany.
A confrontation between Ignacio and Xutaj, who are father and son, at the beginning of the COVID19 pandemic confinement in Mexico. Together they must learn that seeing life in different ways does not reduce their love for each other.
2021
Sign language interpreter Do-young is unable to focus on the regular COVID-19 briefing because he is worried about his wife who is about to give birth. Doyoung is anxious because her due date has passed, but the live emergency briefing continues regardless. During the live broadcast, Do-young learns from a colleague that his wife has given birth safely. And in his own way, he conveys his sincerity to his beloved wife and newborn child.
2025
Sunday at Il Posto Accanto is a deeply personal, hybrid film blending documentary techniques with narrative storytelling. Set in a beloved East Village restaurant during the early days of reopening after the pandemic, it stars Victor Rasuk, Danny Hoch, and the real people who made the place a sanctuary for community. At once funny and poignant, the film is a meditation on grief, resilience, and the small rituals—both absurd and sacred—that keep us connected. It’s rich with character, brimming with the kind of imperfect charm only real life can deliver. Il Posto is about a neighborhood, a family—chosen and otherwise—and the quiet beauty of coming together after isolation. Made on a modest budget with a lot of heart, it captures a moment in time when the simple act of gathering felt nothing short of holy.
2026
Iva works in a clothing factory in rural Bulgaria battling a persistent, yet mysterious illness. When it is revealed that she is the first case of COVID in her small town, the news spirals into an endless j’accuse— first from the factory owners eager to shift responsibility, then from her fellow co-workers, her son, and eventually her entire community, even though Iva hasn’t left her small town in years. With Iva’s public demonization escalating as the first victims of the virus emerge, she is quickly turned into a social outcast.
