Subsolo

Berlin Babylon

2001

A documentary focusing on the rebuilding projects in Berlin after the fall of the Berlin Wall.

A Life's Work

2020

What’s it like to dedicate your life to work that won’t be completed in your lifetime? Fifteen years ago, filmmaker David Licata focused on four projects and the people behind them in an effort to answer this universal question.

Drafting: Occupations & Opportunities

1968

Treats drafting as a means of visual communication and a key to organized training and planning. Discusses the importance of drafting in various fields such as architecture, engineering, and industry. Drafting allows individuals to communicate their ideas visually, leading to accurate planning and construction. It is emphasized that drafting skills open up numerous career opportunities in different industries.

Son of Torum

1989

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

Jaime Lerner - Uma História de Sonhos

2016

The Hermits

2019

In the midst of the chaos of México City, a group of eight bachelor millennials who call themselves ´The Hermits´, open the doors to their tiny apartments in the historic Ermita Building, in the yet-to-be gentrified neighborhood of Tacubaya, and share their life experiences in a time when precarity changes the way in which we love, feel and relate to each other. As we explore the homes of these eight neighbors, we also witness their personalities intersect in a Whatsapp chat, a virtual space that functions as a supporting system that helps them face the adversities that living alone in this city brings.

Gaudí, le génie visionnaire de Barcelone

2022

In Barcelona, the Casa Batlló alone sums up the genius of Antoni Gaudí. During the exhibition devoted to it by the Musée d'Orsay, we take a guided tour of this eccentric, colorful residence, completed in 1906.

From the West

2016

A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.