Os Três da Vida Airada

Humor Risk

1921

Harpo played the hero, a detective named Watson who "made his entrance in a high hat, sliding down a coal chute into the basement". Groucho played an "old movie" villain, who "sported a long moustache and was clad in black", while Chico was probably his "chuckling [Italian] henchman". Zeppo portrayed a playboy who was the owner of a nightclub in which most of the action took place, including "a cabaret, [which allowed] the inclusion of a dance number". The final shot showed Groucho "in ball and chain, trudging slowly off into the gloaming". Harpo, in a rare moment of romantic glory, gets the girl in the end. This film is lost.

Madonna: Truth or Dare

1991

From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.

Reducing

1931

Culture shock bombards a woman and her family when they leave their hick town to help her sister out in her big-city beauty parlor.

Yentl

1983

In a time when girls were forbidden to study religious scriptures, a Jewish girl masquerades as a boy to enter religious training and unexpectedly finds love along the way.

Honeybunnies

2017

A private detective engages in a sexually-charged relationship with a real estate broker.

The Kid

1921

A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

Liminality

Zari and Aina are a young couple, orbiting each other but struggling to connect. We first see each of them in their own element: Zari painting to finish a piece for a gallery opening, and Aina coding her own video game designed to increase self-awareness. When Aina makes an effort to connect and Zari shuts her out again, Aina is triggered to send her girlfriend into the video game. In the game, Zari meets different versions of herself and her ego's desires. Ultimately, she has to decide what she's willing to let go of in order to advance to the next level. When the game malfunctions, Aina launches her back into reality and they finally confront each other.

33 ⅓ Revolutions per Monkee

1969

33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "​33 1⁄3 revolutions per minute."