2024
Anastasia Trofimova, a Russian-Canadian filmmaker, gains unprecedented access to follow a Russian Army battalion in Ukraine. Without any official clearance or permits, she earns the trust of foot soldiers and embeds herself over the span of a year with one battalion as it makes its way across Eastern Ukraine. What she discovers is far from the propaganda and labels pushed by the East or West: an army in disarray, soldiers disillusioned and often struggling to understand what they are fighting for.
Archival film maestro Göran Hugo Olsson has assembled—from a vast catalogue of footage in the vaults of Sweden’s national television service SVT—accounts of the Israeli-Palestinian conflict as witnessed and represented by Swedish journalists. Stories of the beginning of the Israeli state interwoven with the Palestinian struggle for independence. News coverage with Yasser Arafat and interviews with Israeli foreign minister Abba Eban during a visit to Sweden unseen since first broadcast. From the tenth anniversary of Israel’s founding to the First Intifada, perspectives and encounters with statesmen, civilians, revolutionaries, and intellectuals tell the story from myriad angles of an evolving media landscape, revivifying a history of the ongoing conflict.
2019
A story of the LGBT struggle from the 1960s to the present, after the Stonewall riot sparked the militant action in New York that was to spread around the world. From San Francisco to Paris via Amsterdam, between the first Gay Pride, the election of Harvey Milk, the French "decriminalization", the AIDS epidemic and the first homosexual marriages, these few decades of struggle are embodied through numerous testimonies of actors and actresses of this revolution rainbow.
2003
Deep Blue is a major documentary feature film shot by the BBC Natural History Unit. An epic cinematic rollercoaster ride for all ages, Deep Blue uses amazing footage to tell us the story of our oceans and the life they support.
2022
2008
As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.
