Losing It

La badil

2012

La Badil (No Other Choice), was filmed undercover in the Moroccan controlled territories of Western Sahara, on the eve of the second anniversary of the 2010 uprisings at Gdeim Izik that heralded the start of the Arab Spring. It sheds new light on the decades long conflict and the Sahrawi people's struggle for self-determination.

At the heart of European diplomacy

2024

La Ville

1956

Cameraman Claude Gabriëls, well known for his work with Henri Storck and Paul Meyer, has made this beautiful evocation of a snowy day in Brussels.

Refugees through time

2013

This is the story of my father, my mother, my grandfather and my grandmother ... it is the story of all the saharaui people ... but I do not want it to be the story of my life.

Sahara, the last province

2013

Sahara is the last Spanish province and must be decolonized, but this has been a very long and painful process for a nation that doesn’t exceeds one million inhabitants

Candle in the Wave

2017

Project 1 _ Hong Hyung-sook The children who are enthusiastically painting and cutting a doll. What stories will be told at the Square? - Project 10 _ Kim Jeong-geun The janitorial worker from the Busan Subway Station, Kim Young-ja talks about how she hopes to see a clean world, just like how she cleans everywhere in the subway.

Tatort Ostsee - Wer sprengte die Nord Stream-Pipelines?

2023

A year has passed since the attacks on the Nord Stream gas pipelines, and it is still unclear what actually happened at the bottom of the Baltic Sea at that time. ARD, Süddeutsche Zeitung, and DIE ZEIT have joined forces for a large-scale investigation and set out to find the alleged perpetrators. An investigation into one of the most spectacular criminal cases of our time, an attack of historic proportions.

New Hyperion or Liberty, Equality, Brotherhood

1992

From the behavior, discourse, and appearance of individual actors, Vachek composes, in the form of a mosaic, a broad and many-layered film-argument about Czechoslovak democracy in the period of its rebirth, all administered with the director’s ini­mitable point of view.