2007
The story of Yes is as controversial as their music. The twists and turns of band's career is now told for the first time in a series of exclusive interviews with Yes members past and present for this definitive and fully authorised documentary.
2005
With melodic progressive rock and socially critical lyrics, the British band Porcupine Tree also gained a large fan base in Germany at the turn of the millennium. In 2005, Rockpalast filmed them at their gig in Cologne's Live Music Hall. At their concert in Cologne, the band played a varied set of 15 songs, including their hit at the time, Lazarus.
1968
(A)lter (A)ction, 1968. Videotape, black-and-white, sound; 65 minutes (director's edit: 57 minute television version).
2010
This DVD features performances and interviews with some of the best drummers to ever work with Frank Zappa: Terry Bozzio, Chester Thompson, Chad Wackerman, Ruth Underwood, and Ralph Humphrey.
1975
Filmed live at London's Rainbow Theatre in December 1972, the innovative group Yes performs its progressive rock symphonies -- epic compositions that influenced new trends in contemporary music. "Yessongs" provides a visual record of the concert tour that became a groundbreaking tour de force in rock music. This unique concert video of Yes was filmed during their record-breaking tour and features the talents of the five original band members. The massively popular band defined the prog rock movement with their mystical epics which infused both a Medieval and Classical sound into rock music. Titles performed include "Close to the Edge," "All Good People," and "Roundabout."
1971
"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring. The story, interspersed with performances by the Mothers and the Royal Symphony Orchestra, is a tale of life on the road. The band members' main concerns are the search for groupies and the desire to get paid.
1993
Arf Arf is a sound poetry (voice and gesticulation) group. They describe their first film together as 'songs nailed together in a film'. The film is not given over to simply recording a performance of sound poetry but is worked out as a filmic combination of images and sound, each member of the group having individually previously made experimental films.
2008
Halloween, New York City, 1981 Live at The Palladium with Ray White, Steve Vai, Bobby Martin, Tommy Mars, Ed Mann, Scott Thunes, Chad Wackerman
2009
Created entirely from YouTube videos and edited in Windows Movie Maker, Lopatin recomposes outmoded video graphic landscapes via repetition and abuse.
2021
This programme tells the story behind the conception, recording and release of this groundbreaking album. By use of interviews, musical demonstration, performance, archive footage and returning to the multi tracks with Ahmet Zappa and Joe Travers we discover how Frank Zappa and The Mothers of Invention created the album with the help of legendary African- American producer Tom Wilson.
1991
For the past ten years Zappa in composing has turned away from Rock and Roll music - for which he first became famous - and has been working on new, contemporary, orchestral electronic music; in solitude and beyond any commercial conventions or commitments. It is the first time that Zappa has allowed a film crew to study him during compositional work, actually filming the first moments of a new compositional process. By contrast, in a staged interview Zappa gives comments on music. This film seeks to reveal the sensetivities of Zappa's personality and character also beyond narrative content.
1989
For a band with high standards, a perfect show is impossible, and an excellent show is rare. You hope that the norm is "good". To deliver a really exceptional, comfortable performance before a recording truck or film crew has been our unfulfilled dream of many years. Always it seemed that as soon as the machines started rolling, we forgot how to play and our equipment forgot how to work. But for these two nights, the gods smile. And the film becomes not just a concert, but a symbol - for the band a scrapbook, an autobiography, an era frozen in glacial clarity. For the audience, it can be an enduring souvenir, and if it can't quite capture what it was like to be there, it is a way of seeing through many pairs of eyes, of shifting one's vantage-point around and above the players in a way no mortal could. Hands perform, and hands respond. Hands gesture, and hands respond. A show of ears and eyes, a show of hearts and minds. A Show of Hands. - Neil Peart
