2025
A documentary film exploring an untold part of Canada’s past through the eyes of Inuk artist and filmmaker Elisapie Isaac. After facing a moral dilemma, Elisapie sets out to meet others who, like her, are “Hudson Baybies,” the children born of the mixed unions between Indigenous women and Hudson’s Bay Company employees working in trading posts and general stores across the North.
2017
Olive trees have been a key element of life for populations in Palestinian land for generations. Since the creation of the state of Israel, historical inhabitants and trees face the uproot of their lives and culture. This documentary shows popular struggles in occupied Cisjordan through the testimonies of Palestinian families and the activists that protect them during olive harvest.
2001
Benito Arévalo is an onaya: a traditional healer in a Shipibo-Konibo community in Peruvian Amazonia. He explains something of the onaya tradition, and how he came to drink the plant medicine ayahuasca under his father's tutelage. Arévalo leads an ayahuasca ceremony for Westerners, and shares with us something of his understanding of the plants and the onaya tradition.
Herlinda Augustin is a Shipibo healer who lives with her family in Peruvian Amazonia. Will she and other healers be able to maintain their ancient tradition despite Western encroachment?
2014
Filmmaker Sterlin Harjo's Grandfather disappeared mysteriously in 1962. The community searching for him sang songs of encouragement that were passed down for generations. Harjo explores the origins of these songs as well as the violent history of his people.
Shoot The People is a documentary capturing photographer and activist Misan Harriman’s journey documenting global protest movements that drive social change. Following Harriman as he highlights the resilience of grassroots activists fighting for equality, civil rights, and social justice, the film showcases the intersectionality of these movements and their collective power. With historical context, interviews with activists, and explorations of digital activism, the documentary reveals how Harriman's lens brings the world's activism to light, inspiring viewers to recognize their own power in shaping a more just society.
1994
This is a documentary produced by Richard Freeman. This part contains the now famous 1992 protest in which the Henry Administration Building was taken over by students. University Police, Champaign Police and Urbana Police are called in to remove students. Led by Latino/a students due to growing issues facing their community on the Illinois campus.
2009
Fred Martinez was a Navajo youth slain at the age of 16 by a man who bragged to his friends that he 'bug-smashed a fag'. But Fred was part of an honored Navajo tradition - the 'nadleeh', or 'two-spirit', who possesses a balance of masculine and feminine traits.
1989
In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.
2022
Poet Layli Long Soldier crafts a searing portrait of her Oyate’s connection to the Black Hills, through first contact and broken treaties to the promise of the Land Back movement, in this lyrical testament to resilience of a nation.
2019
Revisiting the achievements of Sacheen Littlefeather, the first woman of color to utilize the Academy Awards to make a political statement.
2010
COINTELPRO 101 exposes illegal surveillance, disruption, and outright murder committed by the US government in the 1950s, 60s, and 70s. “COINTELPRO” refers to the official FBI COunter INTELigence PROgram carried out to surveil, imprison, and eliminate leaders of social justice movements and to disrupt, divide, and destroy the movements as well. Many of the government's crimes are still unknown. Through interviews with activists who experienced these abuses first-hand, with rare historical footage, the film provides an educational introduction to a period of intense repression and draws relevant lessons for the present and future.
