2020
The Journey of a young man who is making a documentary about forgotten narratives around an old piano, takes him through an unknown path towards restoring history, culture and identity of his homeland, Iran, in dusty and abandoned objects.
1973
A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province. He has already hired Turkmen tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diegetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.
2017
Stories of families who live in the Zanjan city in the 1980s. Family atmosphere of those years of war and its impact on their lives A family tradition in the 1980s they live in the city. Families who affected by the war between Iran and Iraq.
Sarah and Ayda are two close friends, one of whom was notorious and now they must work together to bring their conditions to normal, but they stand to where for their friendship?
When Mahi's son dies in a car accident, Behrouz who has returned to Iran to sell his properties, attends the funeral. Their old romance catches up while Behrouz has planned to marry Sara and go back to Canada with her.
1976
An urban guerrilla, wounded after a bank robbery, seeks refuge with his childhood friend—only to discover that his friend has fallen into addiction. The guerrilla hides in his house and gradually begins to influence him, helping him regain his courage and strength. Eventually, he entrusts the stolen money to him…
1971
Dash Akol is greatly respected in Shiraz as an honorable man who has lost his family's money through helping his friends. He has an enemy, however, named Kaka Rostam, a mean and spiteful person. Dash Akol, who is in his forties, falls in love with Marjan, daughter of the late Haji Samad, for whose estate he is the executor. But he keeps his love secret. One day a suitor asks for Marjan's hand, and Dash Akol considers it against his code of honor to refuse. On the night of the wedding, Dash Akol hands over responsibility for the family to the bridegroom. As he is leaving the house, however, Kaka Rostam is waiting for him and a fight ensues. Kaka Rostam stabs him in the back, but Dash Akol succeeds in killing him. On his deathbed, Dash Akol sends his parrot to Marjan with the confession of love he has taught it.
1986
Valeh, a member of a leftist organization, is arrested by the SAVAK and sentenced to death. In prison, he reconsiders his relationships with members of his political cell, and begins to doubt the validity of the ideas for which he is condemned. At the same time, his comrades pressure him to make a sacrifice for their cause, and his beloved wife experiences personal problems and economic hardships.
2009
A series of short films in which the history of the Thai border town of Nabua is re-imagined as an elusive science fiction ghost story rooted in Thai folklore.
2013
THE BRIGHT DAY weaves a story that has its roots in the complexity of Iran’s draconian laws governing capital punishment. A kindergarten teacher hopes to aid the father of one of her young students, a man accused of manslaughter, by convincing each of seven reluctant witnesses to come forward. No one lacks a hidden agenda in this drama in which shades of truth collide with self-interest and the specter of payback. (Gene Siskel Film Center)
2025
Saad, a young Moroccan illegal immigrant, is planning a perilous journey to Canada with Reza, his Iranian lover. In Montreal, Saad is called upon to save his beloved from certain deportation to Iran, where inevitable punishment awaits.
1982
Bahram Beyzai's poetic imagining of the circumstances that led to the death of Yazdgerd III, the last of the Sassanid kings of Iran. His death in 651, during the Arab invasions that brought Islam to this Zoroastrian realm, was mysterious: his corpse was discovered in a mill, but the cause of his death—and the whereabouts of his remains—are unknown.
