1983
In a time when girls were forbidden to study religious scriptures, a Jewish girl masquerades as a boy to enter religious training and unexpectedly finds love along the way.
2015
A young, unnamed woman, while biking home from the bank she works at, happens upon a weakened tree goddess whose native shrine is being demolished for construction work. She rescues her and brings the goddess home with her. The two form a relationship, but what will happen to the goddess as the construction progresses?
2019
With an illustrious career spanning five decades: over 150 stage roles, 11 Grammy Awards and his iconic performances alongside Luciano Pavarotti and José Carreras as one of the Three Tenors, the legendary Plácido Domingo continues to astound audiences with a vocal talent unmatched in power. For one very special night, Plácido Domingo returns to the breath-taking Arena Di Verona amphitheatre, 50 years after his debut, to revisit three of his greatest ever roles.
1982
Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's I Pagliacci stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.
2013
Live in Atlantic City, which contains live footage from Knowles' four-night residency show Revel Presents: Beyoncé Live in May 2012 at Revel Atlantic City, was released as part of the two-disc set of the home media release of Life Is But a Dream on November 25, 2013. It contains the live performances of 21 songs along with a new song, "God Made You Beautiful".
2014
After the sudden passing of his wife, Stan ignores his overwhelming grief only to be faced with an unavoidable 20-piece punk marching band that floods his world with boisterous, interminable song.
2008
Pop-punk princess Avril Lavigne plays the hits that earned her legions of screaming fans (and launched a thousand ringtones) on The Best Damn Tour, a full-length presentation of her 2008 concert in Toronto. Opening with monster hit "Girlfriend," Lavigne rocks through every one of her major singles, including "Complicated," "My Happy Ending," and the ubiquitous "Sk8er Boi."
2006
Die Walküre (The Valkyrie), WWV 86B, is an opera in three acts by Richard Wagner with a German libretto by the composer. It is the second of the four operas that form Wagner's cycle Der Ring des Nibelungen (The Ring of the Nibelung). The story of the opera is based on the Norse mythology told in the Volsunga Saga and the Poetic Edda.[1][2] In Norse mythology, a valkyrie is one in a group of female figures who decide which soldiers die in battle and which live. Die Walküre's best-known excerpt is the "Ride of the Valkyries". DVD release June 2009.
1951
1991
Recorded during a series of concerts at The Hague in early May 1991, this show is from 10 May and served as a benefit gig for Kurd Aid. It isn't a full length performance of course, but still remains interesting. Several of the performances were released as live b-sides on 'Ten Summoner's Tales' era singles. Perhaps of most interest is the live version of Hendrix's 'Purple Haze', a rip-roaring crowd favourite from that tour.
Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.
1980
It's hard to imagine confirmed Straussians not wanting this starry Metropolitan Opera performance of Elektra. Strauss and his librettist, Hugo von Hofmannstahl, transformed Sophocles' take on Homer's tale into a harrowing opera noir. Elektra lives for one reason, to kill her mother, Klytämnestra, and her stepfather, Aegisth, the murderers of her father, Agamemnon. In contrast to Elektra's vengeful obsession, her sister Chrysothemis desires to get on with life. When their long-missing brother, Orestes, returns to do the deed, Elektra celebrates with a dance of death and, her sole purpose in life fulfilled, dies. Strauss joined the hermetic plot to music of the utmost opulence, violent and yearning by turns, evoking the cardinal principles of Greek tragedy - pity and terror.
