2013
In a world bedazzled by intractable images, do we need the essay film now more than ever? Kevin B. Lee weighs up this distinctively self-aware, searching form of cinema through both video and text.
2026
2019
The New York of News from Home was filmed in 1976, while the one of Taxi Driver was filmed in the summer of 1975. Both works reflect the same decadent city. Two visions that shift from the everyday to the existential complement each other. A resignification of Akerman's images through the voice-over of Scorsese's work.
2020
A video essay on Edward Yang's 2000 film "Yi Yi: A One and a Two..."
2025
Non-human animals have always been around us, shaping and being shaped by our shared worlds. Yet in the modern city, their presence is increasingly cast as a problem, and their ways of living as disruptions. By following their traces, this film essay points toward a different picture that questions the narratives we take for granted. Through more-than-human encounters filmed locally in Romania, and a critical detour from the official discourse, other ways of living begin to surface. Perhaps there’s more we can do to unmake the anthropocentric landscape. What would it take to coexist more justly with urban animals? This film strays with this question and its possible answers.
There are two Bergmans. One speaks English, the other Italian. They fall in love and set off impulsively to live together. But reality is far from easy. As the rift between their emotions deepens, what choice will they make? And what kind of ending awaits them?
A video essay by filmmaker Kogonada exploring the use of doors in the 13 feature films of Robert Bresson
2023
A video essay on the history and morality of the Robin Hood legend.
2010
The people of the Mafrouza shantytown in Alexandria daily reconstruct themselves and the world around them, but they also question the camera, who answers them and thus becomes a character in the film.
2018
Tarō Okamoto became world-famous by designing the “Tower of the Sun” at Expo ’70 in Osaka. The ideas and problems that came with its creation, however, are intertwined with the evolution of Japanese culture – from the Paleolithic up until modern times. In his documentary debut, director Kōsai Sekine takes us on a philosophical journey that transcends the visual limits of documentaries.
Does gloomy fascination that surrounds serial killers tell us something important about ourselves? The figure of Joachim Knychala, who murdered five women between 1975 and 1982, is used to focus our attention on those whose lives were marked by the infamous 'vampire from Bytom'. Among them there is a former journalist, Edward Kozak, who, despite his old age, admits he has a variety of obsessions. The film about the 'vampire' offers him an opportunity to enter the limelight one more time.
