2023
A group of friends have to clean up the house after a party sooner than expected; the problem is that Ulises, the host, is hungover and dead asleep.
1983
A man ran into a woman on a street. She was not attractive, but was a perfect girl for him. After missing the chance to talk to her, he contemplates on how he should have approached her.
2022
University. The place for studying, partying, drinking, flat-sharing, and falling in love with your best friend's girlfriend. That's the case for student Tom Whitehaven anyway.
2003
Whilst doing their last concert before the Christmas Holidays, Busted find that their guitars have all disappeared mysteriously. With their only clue to there where-abouts being a mysterious note signed by 'Sinister Santa' the band take on London in hopes of finding their Guitars but learn the true meaning of Christmas along the way.
2025
Aging Jackass star, Dave England, is heading into a downward spiral of desperation that unlocks something dark in him. Haunted by the curse of celebrity, he commits unspeakable acts to once again garner the world's attention.
When a man is late to work after getting pooped on by a pigeon, he hustles through the park to make it on time. Suddenly, it happens again. Only this time, when he looks up, he does not see a pigeon... He sees a PIGEON MAN!
1914
Office boy Bill encounters a group of anarchists and inadvertently involves one of them in a scheme to open a safe. The "W.W.W.'s" stands for "We Won't Work", a comedic take on the real-life labor movement, the Industrial Workers of the World (IWW, or "Wobblies").
Nina Moyse decides to completely exclude herself from society. However, everything changes when she discovers that she feels a desire for some form of human interaction.
1925
1925 Mack Sennett Comedies production three-reel short.
Nonbinary Max and their straight, cisgender boyfriend Jake face a major identity crisis after Max reveals they are finally off the waitlist for top surgery.
2020
"Normal Porn for Normal People" is an appropriated media piece that explores our societal need to consume violence for entertainment. The film offers a satirical commentary on the romanticizing and normalization of violent imagery, while observing the link to commercial consumerism that exploits human sexuality, while simultaneously demonizing it. Interview segments echo our endless need to devour salacious content by venerating both real and fictional violence. Sexuality and sexual images remain a convenient scapegoat that facilitate a continued avoidance regarding the impact that the glorification of violence has within American culture.
2017
A strict elderly teacher suddenly begins to seem (or not to appear?) That the students in her class are no longer children, but terrible monsters, pursuing their mysterious goals.
