2018
The acclaimed Italian director, Emma Dante, presents a powerful, barbaric and at time frenzied Macbeth with great attention to detail. Staged and filmed in Italy's largest theatre, the Teatro Massimo in Palermo, Sicily, this production captures remarkable performances by the Italian soprano Anna Pirozzi as Lady Macbeth, the renowned Verdi specialist, baritone Roberto Frontali, in one of his signature roles, and the rising star, Croatian bass-baritone Marko Mimica as Banco (Banquo). The conductor, Gabriele Ferro, has opted to use the 1865 Paris version of the score, sung in Italian and without the ballets, for a production that received generous praise in Palermo and on tour.
1976
Griffin has been diagnosed with terminal cancer. Instead of quietly facing his death, he decides to have fun in the time remaining. At a college class on death, he meets Phoenix, who has terminal leukemia.
2025
After stagnating with his music, Peder goes to a party to take a break. A girl at the party pays him attention, and he gets something to write about.
2019
Imagine a dating app that only allows it’s users to connect through character. Would it still work? Or are people too shallow?
Amoeba follows the story of Jenny, who at a desperate effort to not third wheel with her best friend attempts to go on random dates. It's not that simple for Jenny as she discovers that the dating life ain't all that easy.
1974
Tragicomic portrait of a bar's owners and patrons in a poor Montreal neighbourhood.
A lonely career machinist falls for a troubled young artist and they are drawn together while being guided through a mysterious dimension to reconcile with their pasts.
1975
In the 19th century a mysterious woman named Adele H. crosses the ocean, from Europe to North America, to relentlessly pursue a handsome officer that denies her satisfaction.
1972
A recently widowed American begins an anonymous sexual relationship with a young Parisian woman.
2017
Written for exceptional singers, Il Trovatore has remained popular ever since its first performance at the Teatro Apollo in Rome on 19 January 1853, when even the toughest critics were convinced of its place in the repertoire. People are attracted to Il Trovatore because of its rousing melodies, its brutal, powerful plot, and its simple structure: elements that make it one of the best examples of Verdi’s theatre pieces. Recorded live at the Sferisterio theatre of Macerata in the summer of 2016, under conductor Daniel Oren's vibrant and incisive direction, this production boasts a first-rate cast and elegant direction from Francisco Negrin. The sets and costumes by Louis Désiré and lighting by Bruno Poet were well received by the Sferisterio audience.
1987
Claude D'Anna's film of Verdi's Macbeth is a gloomy affair, stressing the descent into madness of the principal villains. It's acted by the singers of the Decca recording of the opera (with two substitutions of actors standing in for singers) and the lip-synching is generally unobtrusive. The musical performance is superb, conducted by Riccardo Chailly with admirable fire, and sung by some of the leading lights of the opera stages of the 1980s. Shirley Verrett virtually owned the role of Lady Macbeth at the time, and she delivers a terrific performance, the voice equal to the role's wide register leaps and it's suffused with emotion, whether urging her husband on to murder or maddened by guilt in the Sleepwalking Scene. Leo Nucci's resonant Macbeth may lack the ultimate in vocal color and steadiness (his last notes of the great aria Pietà, rispetto, amore are wobbly) but he compensates with intensity in both singing and acting.
Adam and Marklin’s 5-year relationship has gone from a passionate flame to a simmer, forcing them to reconcile with each other’s shortcomings while their friends endlessly search for love in New York City.
